Aaron Wickenden

Aaron Wickenden is an Emmy® nominated filmmaker with extensive professional experience as a freelance editor, cinematographer, producer and director. He is regarded for bringing a tireless work ethic and playful spirit to each of his creative collaborations.

His recent accomplishments include: Editing and Additional Cinematography for Finding Vivian Maier, which premiered at the prestigious Toronto International Film Fest, won Best Documentary at Miami International Film Festival and was shortlisted for the 2015 Academy Award for Best Documentary.

Along with filmmaker Dan Rybicky, he has Co-Directed and Co-Produced his first feature documentary titled Almost There, which world premiered at DOC NYC in November 2014 after eight years in the making. The project was awarded an Art in Technology Residency at the Wexner Center in Ohio, as well as sponsorship by AVID, and finishing funds from The Independent Television Service (ITVS).

Wickenden's other recent accomplishments include: Editor of and Additional Camera for IDA and FOCAL award-winner The Trials of Muhammad Ali (2013), Co-Editor and Post Supervisor for Kartemquin’s The Interrupters, Documentary Cinematographer and Post Supervisor for the concert documentary Andrew Bird: Fever Year, and Producer and Cinematographer for multi-media content on The New Yorker website.

His professional career began via internships in 1999 with world-renowned photographers Richard Avedon and Annie Leibovitz and he still occasionally dabbles in photography. In the past year his images appeared on the covers of Realscreen and Videography magazines, and were also published in dozens of print outlets including Streetwise, Cineaste, Rolling Stone and The Chicagoan. Wickenden’s commercial clients include Bank of America, Mom+Pop Records, and Epitaph Records.

In the year 2000 his debut short fiction film won the "Nothing Else Like It Award" at the much loved but now defunct CinemaTexas Film Festival.

His work as Co-Editor and Post Supervisor of The Interrupters marked his fifth significant collaboration with Director Steve James (Hoop Dreams). The film premiered at the Sundance Film Festival and garnered top festival awards at major festivals as well as the 2012 Independent Spirit Award. The Interrupters was also named “The Best Documentary of 2011” by national critics’ polls conducted by IndieWire, the Village Voice and in a numerical study by PBS. The film was nominated for three Emmy awards, including Best Documentary Editing, and won for Outstanding Informational Programming—Long-Form. Other major accolades included The Independent Spirit Award for Best Documentary Feature, an Alfred I. duPont-Columbia University Award, Outstanding Achievement in Nonfiction Feature Filmmaking & Best Direction at the Cinema Eye Honors, and Jury Awards at Miami Film Festival, Full Frame Festival and Sheffield Doc/Fest.

Prior to that Wickenden Co-Produced and Co-Edited James’ award-winning documentary At the Death House Door for Kartemquin and IFC, and was Associate Editor and Post Supervisor on SenArt Films’ The War Tapes which won Best Documentary at the 2006 Tribeca Film Festival. Both projects were shortlisted for the Documentary Academy Award®. Wickenden’s editing credits also include Scrappers, a feature that won both Best Documentary and the Audience Award at The Chicago Underground Film Festival and later was named one of the top 15 docs of 2010 by Roger Ebert.

A full list of Wickenden's credits can be found on IMDB.

Films by Aaron Wickenden

Almost There 2014
Producer/Directors, Editor
The Homestretch 2014
thank you
The Trials of Muhammad Ali 2013
Editor
The Interrupters 2011
Edited by, Post-Production Supervisor, Still Photographer
At the Death House Door 2008
Edited by, Co-Producers, Post Production Supervisor
The New Americans 2004
Post Production Coordinator