Made by
Jerry Blumenthal
Suzanne Davenport
Sharon Karp
Gordon Quinn
Jennifer Rohrer
Assistance
Teena Webb
Susan Delson
Vickie Cooper
Betsy Martens
Richard Schmeichen
Judy Hoffman
Peter Kuttner

Jerry Blumenthal

Made by

Jerry Blumenthal, one of the founding partners of Kartemquin Films, was a director, producer, editor and sound recordist with Kartemquin from 1967 until his passing on November 13, 2014. His most recent completed work was as Editor on Kartemquin's 2010 documentary, Prisoner Of Her Past. Blumenthal's previous film, Golub: Late Works are the Catastrophes (2004), co-produced with Gordon Quinn, revisited the great American artist thirteen years after the award-winning Golub (1988) and was a selection at the 2004 IDFA.

Gordon Quinn

Made by

Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people. 

Judy Hoffman

Assistance

Judy Hoffman has worked in film and video for over 35 years. She was active in the Alternative Television Movement of the early 1970's, experimenting in the use of small format video equipment. During the 1973 International Visual Anthropology Conference, she assisted French ethnographer and filmmaker Jean Rouch. She researched a film project for him, and became deeply influenced by cinéma vérité and the idea of shared anthropology. Hoffman played a major role in the formation of Kartemquin Films, working on many of their film productions and was the Associate Producer on Golub, which debuted at the New York Film Festival. She is still an active member of Kartemquin.

Peter Kuttner

Assistance

For over 40 years, Peter Kuttner has worked in mainstream and alternative media. He began his career in 1965 working for WTTW, Chicago's Public Television station. There he was introduced to the cinema-verité style of documentary filmmaking by a visiting BBC crew. In the later 60's as he became politically active, he joined Newsreel, a documentary collective working with the Peace, Black Power, and Women’s Movements.