A 45th Presidential Sale: 45% off especially pertinent films for the next 45 days
January 13, 2017 3:08 pm
As 2017 begins, certain social issues explored in our films are becoming particularly pertinent. For the next 45 days, receive 45% off the following titles on DVD or streaming in our VHX catalogue with the code: DEMOCRACY
ON DISABILITY:
When Billy Broke His Head on DVD
Refrigerator Mothers on DVD and VHX
ON BEING AMERICAN:
American Arab on DVD and VHX
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#KTQ50: Watch Women's Voices: The Gender Gap for free all week
April 29, 2016 7:59 pm
From today until next Friday, May 6th, the free KTQ50 films are Women's Voices: The Gender Gap (1984).
This documentary explores the growing difference in the voting patterns of men and women (the gender gap) that could no longer be denied by the mid-1980's. Issues like compensation equality, environmental preservation, subsidized childcare and healthcare became wedge issues in Ronald Reagan's America as more and more women joined the workforce.
Still relevant today, director Jenny Rohrer's film 16mm film was preserved by a grant from the women's film preservation fund, and has recently been chosen for special screenings by MOMA and Ashland Film Festival.
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Raising Bertie and On Beauty to screen at Sarasota
March 16, 2016 7:42 pm
Last week, we announced Raising Bertie's world premiere at Full Frame Documentary Festival in Durham, North Carolina. The festival today confirmed the screening will take place at 4:30PM on Saturday, April 9th at the Carolina Theater's Fletcher Hall. Tickets go on sale April 1, 2016. For info, please visit the Full Frame website: http://www.fullframefest.org/passestickets/passes/. The subjects of the the film will all attend this "Center Frame" screening along with Director Margaret Byrne, producer Ian Kibbe, cinematographer Jon Stuyvesant, editor Leslie Simmer, Kartemquin's Tim Horsburgh and Ryan Gleeson.
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Ashland Independent Film Festival to honor Kartemquin
March 7, 2016 3:47 pm
The Ashland Independent Film Festival will honor Kartemquin Films’ 50 years of creating high-quality, social-issue documentaries during the 15th annual AIFF on April 7-11, 2016. The festival, which features more than 90 films and dozens of special events across the town of Ashland, Oregon, will welcome special guests Kartemquin Artistic Director and co-founder Gordon Quinn, Emmy-nominated director Joanna Rudnick and Peabody Award-winning director Maria Finitzo.
In celebration of Kartemquin’s 50th anniversary, the festival will screen a program of Kartemquin films directed by and about women, including the following films:
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MoMA to screen Women's Voices: The Gender Gap Movie
January 30, 2015 12:52 pm
On Tuesday February 4th at 4pm, New York's MoMA presents a screening of our classic short Women’s Voices: The Gender Gap Movie as part of their series Carte Blanche: Women’s Film Preservation Fund—Women Writing the Language of Cinema.
Produced in 1984 when the contest between incumbent president Ronald Reagan and Democratic challenger Walter Mondale betrayed a difference in the voting patterns of men and women, The Gender Gap reveals the women behind the numbers. Featuring interviews with a diverse group of women, the film focuses on the different priorities compelling them to vote – concerns over social programs, healthcare, fair compensation, and military intervention.
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The Gender Gap is Back
October 25, 2012 12:52 pm
Saddle up, Gals! Tonight at 6:30pm at the Film Society of Lincoln Center’s Elinor Bunin Munroe Film Center, New York Women in Film and Television is offering a rare screening of our 1984 film Women’s Voices: The Gender Gap. The film is also being simultaneously re-released to watch free online at SnagFilms.
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See Women’s Voices: The Gender Gap at New York’s Lincoln Center
September 27, 2012 12:37 pm
Kartemquin’s 1984 documentary Women's Voices: The Gender Gap will screen at the Film Society of Lincoln Center on October 25, 2012. Get details here.
As the presidential election is getting closer and surveys put both candidates in a tight race, one thing has been clear: issues about women's rights have been at the forefront of many animated debates between the two ends of the political spectrum. This is nothing new.
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The Chicago Maternity Center Story screens at Doc Films this Sunday
November 16, 2011 11:45 am
Doc Films' 10-week Kartemquin retrospective continues this Sunday, November 20 at 7pm with The Chicago Maternity Center Story & Women's Voices: The Gender Gap. In celebration of Kartemquin's 45th anniversary, The University of Chicago's Doc Films is bringing the art of documentary storytelling back to the place where our history all began…
Attending this event and leading the discussion after the screening will be:
Suzanne Davenport and Jerry Blumenthal, filmmakers;Kay Harvey, doula and ICTC member;
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Kartemquin Films 10-Week Retrospective at Doc Films: come and enjoy our classics on the big screen!
September 30, 2011 4:42 pm
The University of Chicago's Doc Films welcomes back Kartemquin Films with a 10-week retrospective featuring 19 of our most memorable documentaries! In celebration of our 45th anniversary, Doc Films is bringing the art of documentary storytelling back to the place where our history began, showing at 7pm every Sunday night Oct 2-Dec 4.
This retrospective is a crowning moment of the long-standing relationship between UChicago and Kartemquin, which was founded by 3 UChicago graduates, and is currently led by Justine Nagan (U Chicago MAPH 2004). The story of Kartemquin, while little known on campus, is possibly one of the biggest successes of UChicago's “Life of the Mind.”
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Maternity Center makes waves once more
Some great reviews have come in for the newly restored The Chicago Maternity Center Story in advance of tomorrow's 45th anniversary screening (with Kartemquin's Women's Voices: The Gender Gap). Check out the recommendations below, and read a blog on the Siskel Center website from Gordon Quinn, Suzanne Davenport and Jenny Rohrer, members of the original Kartemquin filmmaking collective that was born with the film.
"A time capsule of women’s health activism... the film rips the medical industry as sexist and capitalist."- Bill Stamets, Chicago Sun-Times
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