Jerry Blumenthal, one of the founding partners of Kartemquin Films, was a director, producer, editor and sound recordist with Kartemquin from 1967 until his passing on November 13, 2014. His most recent completed work was as Editor on Kartemquin's 2010 documentary, Prisoner Of Her Past. Blumenthal's previous film, Golub: Late Works are the Catastrophes (2004), co-produced with Gordon Quinn, revisited the great American artist thirteen years after the award-winning Golub (1988) and was a selection at the 2004 IDFA.
Fenell Doremus has worked in documentary film since graduating from the University of Wisconsin with a BA in Sociology. She began her career as an Assistant Editor on the award-winning Hoop Dreams. She went on to serve as staff Producer at Kartemquin Films for the next eight years. While at Kartmequin, Doremus was Segment Producer and a Segment Editor (Palestinian story) of The New Americans. Hailed as "Totally engrossing...filled with many unexpected riches..." by The New York Times, the series was nationally broadcast on PBS in 2004 and won multiple awards at festivals worldwide.
For over thirty-five years, Jim Morrissette has had extensive experience as both a professional videographer and teacher, supporting his conviction that sharing and access are instrumental to the vitality of the independent production community. Jim has been the director of photography on numerous productions including: the award winning PBS documentary A Still Small Voice dealing with spiritual thought and mystic understanding, five episodes of Bill Kurtis' New Explorers, two episodes of Discovering Women for WGBH Boston, and Shadow Over Tibet, a documentary featuring the Dalai Lama. He was the principal videographer on the highly acclaimed six hour Frontline documentary The Farmer's Wife, which aired twice nationally on PBS.
Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people.