- Bill Siegel
- Rachel Pikelny
- Executive Producers
- Leon Gast
- Gordon Quinn
- Justine Nagan
- Kat White
- Aaron Wickenden
- Joshua Abrams
- Post-Production Supervisor and Additional Editing
- Matt Lauterbach
- Associate Producer
- Brittany Hayford
- Kartemquin Director of Communications and Distribution
- Tim Horsburgh
Bill Siegel has more than 20 years of experience in documentary filmmaking and education. He co-directed the Academy Award-nominated documentary The Weather Underground; was a researcher on the documentary films Muhammad Ali: The Whole Story and Hoop Dreams; and was a writer on One Love, a documentary on the cultural history of basketball by Leon Gast (When We Were Kings). Siegel is vice president of school programs for the Great Books Foundation, a non-profit educational organization dedicated to literacy and lifelong learning.
Rachel produced the award-winning documentary The Trials of Muhammad Ali, which premiered at the Tribeca Film Festival and was broadcast on PBS's Independent Lens in 2014. Prior to that, she served as co-producer on Kartemquin's Mormon Movie, American Arab, and On Beauty, and Associate Producer on A Good Man, broadcast on PBS American Masters in 2011. In 2014, Rachel joined the staff at Siskel/Jacobs Productions as its Director of Production. In that capacity, she produces and directs a number of feature documentaries, web shorts, nonprofit videos, and branded content.
Artistic Director and founding member of Kartemquin Films, Gordon Quinn has been making documentaries for over 50 years. Roger Ebert, of the Chicago Sun Times, called his first film Home for Life (1966) "an extraordinarily moving documentary." With Home for Life Gordon established the direction he would take for the next four decades, making cinéma vérité films that investigate and critique society by documenting the unfolding lives of real people.
Since 2008, Justine has led Kartemquin Films as our Executive Director as well as being an Executive Producer on each new film. She is responsible, in concert with the Board of Directors, for creating and implementing the strategic vision for Kartemquin. Justine successfully transitioned to the ED role in a historic founder-led organization, and has made major strides in building a foundation for long-term sustainability.
Aaron Wickenden is a multiple Emmy and ACE Eddie nominated editor with extensive professional experience in many aspects of the independent filmmaking process. He is regarded for bringing a tireless work ethic and playful spirit to each of his creative collaborations... including the Oscar nominated film Finding Vivian Maier. In 2014 he was recruited by Oscar winner Morgan Neville (20 Feet From Stardom) and acclaimed author Robert Gordon (Respect Yourself) to edit their film Best of Enemies, which had its world premiere in competition at Sundance 2015 and was acquired by Magnolia Pictures/Participant for theatrical release. In a recent interview Neville describes hiring Wickenden: "Docs, in general, are made in the edit bay, archival docs even more so...
Composer and multi-instrumentalist Joshua Abrams has recorded seven albums as a leader and collaborated on over a hundred recordings. The New York Times describes his record, Represencing as "music that hints at the ceremonial without losing its modern bearings". In addition to The Trials of Muhammad Ali, he has composed soundtracks for The Interrupters and short film A Place Called Pluto. He is currently working on the music for the Kartemquin’s upcoming releases Almost There and Life Itself.
Matt Lauterbach is a documentary filmmaker and editor, an educational media developer, and an advocate for accessible media. He crafts engaging non-fiction content for classrooms, museums, and the big screen.
Tim Horsburgh is Kartemquin’s Director of Communications and Distribution. Since 2009, he has driven marketing, audience engagement, public relations, and social media for Kartemquin and all their films. In March 2014 he began overseeing Kartemquin's distribution strategy. He is also responsible for assessing and managing potential new Kartemquin documentary projects.